Artist Walid Raad will lecture as part of the School of Art’s Visiting Artists and Scholars Series on March 23 at the Center for Creative Photography.
Walid Raad: Artist Talk
In this Artist Talk, Walid Raad will present images, stories, and concepts from his three ongoing long-term projects: The Atlas Group (1989-2004); Scratching On Things I Could Disavow; and Sweet Talk: Beirut (Commissions).
Raad was born in Chbanieh, Lebanon, in 1967, and raised in East Beirut. In 1983, amid ongoing war, he immigrated to the United States. He briefly studied medicine at Boston University before transferring to the Rochester Institute of Technology, New York, to study photography. While Raad hoped to be a photojournalist, he subsequently realized the political complexities of producing images of his experience of the civil war in Lebanon (1975–91), which became his focus instead. After completing his BFA, he enrolled in the Visual and Cultural Studies program at the University of Rochester, where he earned his MA and Ph.D. Raad began teaching in 1991. He’s an associate professor at the Cooper Union School of Art in New York.
In 1998 Raad returned to Beirut to perform as a lecturer at an academic conference under the guise of a fictional historical preservation foundation that he called The Atlas Group. As a method of questioning the authority of documented experience and the role of memory in this documentation, Raad constructed alternative narratives of Lebanese history and introduced them in the format of an archive. The Atlas Group became a widely exhibited artist project of material collected, produced, and presented by Raad. He belongs to a growing community of Lebanese artists, writers, and curators, including the contemporary theorist and artist Jalal Toufic, who are engaged in critical and artistic examinations of the contemporary history of their nation, and specifically the effect decades of wartime trauma have on culture and tradition.
“In part, an artist and a Professor of Art in The Cooper Union. The list of exhibitions (good, bad and mediocre ones); awards and grants (merited, not merited, grateful for, rejected and/or returned); education (some of it thought-provoking; some of it, less so); publications (I am fond of some of my books, but more so of the books of Jalal Toufic. You can find his here: jalaltoufic.com), can be found somewhere online.” — Walid Raad
Raad, who lives and works in Beirut and New York, was awarded a John Simon Guggenheim Memorial Foundation Fellowship (2009); was selected as a finalist for the 2010 Hugo Boss Prize at the Solomon R. Guggenheim Museum, New York; and was awarded the Hasselblad Foundation International Award in Photography (2011).
His work has been shown in numerous international exhibitions, including Documenta 11 and 13, the 14th Istanbul Biennial, the first Vienna Biennale, the Whitney Biennial (2000 and 2002), and the 50th Venice Biennale. He has had one-person exhibitions at the Hamburger Bahnhof, Berlin; Museo Reina Sofia, Madrid; Whitechapel Art Gallery, London; and Carré d’Art, Nîmes. His 2015 survey exhibition at the Museum of Modern Art, New York, traveled to the Institute of Contemporary Art Boston and Museo Jumex in Mexico City. His work is in the collections of the Whitney Museum of American Art, New York; Stedelijk Museum, Amsterdam; Walker Art Center, Minneapolis; Kunsthaus Zürich; and the Centre Pompidou, Paris, among others.
Sources: Moderna Museet, Stockholm; Paula Cooper Gallery; the961.com; nationalacademy.emuseum.com
The School of Art focuses on bringing renowned and diverse artists and scholars from around the world to our campus. These visitors bring their own unique influences to the program by engaging with community members, students, and faculty through salons, lectures, and exhibitions.
