Improvements have been seen for students participating in “Mapping Q,” a series of art workshops for LGBTQ+ youth age 14-24 exploring topics of art-making, self-care and identity at the University of Arizona Museum of Art.
While the research reveals that LGBTQ+ youth are showing increased rates of stress and self-harm, since 2014, “Mapping Q” has been providing a welcoming space that celebrates LGBTQ+ identities and experiences through art.
“Youth are ready to speak back to spaces,” said Chelsea Farrar, UAMA curator of community engagement and the program creator. “We say, ‘Tell us what’s wrong, what do you see that’s the problem.’ Obviously, what they’re seeing is that there aren’t a lot of queer identities on display. There aren’t a lot of people of color in our collection. They’re calling out that they’re not seeing themselves represented.”
Dr. Russ Toomey, who studies youth resiliency at the Norton School of Family Studies, observes that program participants have an increase in self-esteem, self-awareness and affirmation of sexual orientation as well as sense of belonging and gratitude.
“Everyone wants to belong,” said Farrar. “That is a goal for the program, to develop a sense of community, which leads to lower rates of self-harm and increases self-esteem.”
Arizona Arts’ community impact is not limited to young people. MFA candidate and visual artist Dorsey Kaufmann’s art project “Ripple Effect” helps communities at risk for water contamination see what is in their tap water by using data and sound. Kaufmann has taken her art installation to mining and underserved communities across Arizona, as well as the University of Michigan.
“I felt that traditional scientific communication was not reaching the populations most affected by environmental contamination,” she said. “Art can be used in research as a way to connect and reach a broader audience, as a visualization or communication tool … and art can be research in its own right.”
A Better Place to Live
For Schulz and Arizona Arts, building integrated partnerships within the community is a high priority. It’s a positive model based on the concept of collective impact that further all missions. Ultimately, the goal is not only making the campus and Tucson an arts destination, but to make the world a better place to live.
“It’s a grandiose claim,” said Schulz. “We do have grand ambitions, but if you’re not going to aim high, why bother?”