Venue: Phoenix Art Museum
Start Time: 10:00am
Non Event Dates: Closed every Monday and Tuesday

Spanning nearly the entire history of the medium, Funny Business: Photography and Humor offers a compelling view into the ways artists have utilized visual humor not only to provoke laughter and delight, but also as a means of resistance, an antidote to the heaviness of the world, and a way to interrogate and subvert norms and hierarchies.

A picture of a dog, Lucy, peering over a coach with a TV monitor in the background
Bucky Miller, Lucy, 2024. Inkjet print. Courtesy of the artist © Bucky Miller

Drawn primarily from the collection of the Center for Creative Photography (CCP) at the University of Arizona in Tucson, the exhibition presents 70 photographs that showcase the mechanics of photographic humor, while examining the reasons for which artists throughout time have employed it as a strategy in their work. Featured artists include Liz Cohen, Steffi Faircloth, Jeff Mermelstein, Bucky Miller, Reynier Leyva Novo, among others.

Funny Business is arranged in four thematic sections. All the World’s a Stage  highlights slapstick and observational comedy through a constellation of early 20th-century gelatin silver prints and snapshots displayed in conversation with examples of canonical mid-20th century street photography. Inside Jokes charts the medium’s evolution in the 1970s, when art institutions began accepting and exhibiting photography as a legitimate art form. Featured works highlight photographers’ adoption of a tongue-in-cheek attitude toward their predecessors and the conventions and aesthetics of the medium itself. Context is Everything explores how subjects and photographic images can become absurd, ironic, and nonsensical when shown outside of their original contexts or in unexpected juxtaposition with one another. Comic Relief features the work of contemporary artists who use humor in a critical or subversive manner to explore issues of identity and belonging, politics, and general dimensions of contemporary life. Humor operates in their work as a means of resistance, a coping mechanism, a refusal to become cynical, or a way to subvert power structures and challenge stereotypes.

Jo Ann Callis, Parrot and Sailboat, 1980. Dye transfer print. Center for Creative Photography, University of Arizona: Purchase. © Jo Ann Callis

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Funny Business: Photography and Humor is co-organized by Phoenix Art Museum and the Center for Creative Photography. The exhibition is curated by Emilia Mickevicius, PhD, the Norton Family Assistant Curator of Photography.

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